Create Your Chart from Heads
A well-proportioned figure, regardless of variations due to gender or such, is defined by the alignment of the joints, which is invariable (that is, we perceive something odd if it does vary). This is our groundwork for proportions. Draw your own chart with me as we go, it really helps learning the material.
Start by drawing an oval or egg shape (pointy end down) for a head, and mark down eight measurements, the last one being the ground.
Add the pelvic bone next, simplified as a flattened circle between marks 3 and 4, with the hip joints sitting on 4. Its width is roughly 1.5 to 2 head-widths. You can now draw the spine connecting the head to this most important part of the body, its center of gravity and stability.
The Legs and Knees.
Let’s assume this figure is standing with feet vertically aligned with the hip joints. The knee joints sit on mark 6, as that line corresponds to the bottom of the knee caps.When the leg is stretched out, the knee joint is placed on a straight line with the hip and ankle (left). But this straight line is virtual: to complete the leg, connect the hip joint to the inside of the knee cap, and then again, the outside of the knee to the inside of the ankle (right). This is a very simplified but accurate representation of the actual bone structure, and helps in drawing the natural look of the human leg, which tapers in from the hip, then staggers out at the knee and tapers in again. It also helps with placing the muscles at a later stage.
Nipples and Belly Button.The ribcage-lungs group is the third important volume of the body, after the head and the pelvis. Simplified, it is an oval that starts halfway between 1 and 2, down to mark 3; but it is best to chop off the lower part of it as shown here to imitate the actual rib cage, as the empty part between the two volumes is important: it is soft and subject to change (flat belly, soft belly, wasp waist) and it is also where the most torsion and movement happens in the spine.
It’s good to be aware of that and not attach torso and pelvis together like two blocks, as that would "block" your drawing’s range of motion. The width of the oval is roughly the same as the pelvis for now. Two more details here: the nipples fall on mark 2, just inside the sides of the head, and the belly button on mark 3.
The shoulder line is about halfway between marks 1 and 2, with the shoulder width 2 to 3 head-widths, but its apparent position can vary a great deal. To begin with, it’s slightly curved down, but in tension the shoulders tense up and the curve can itself turn up and look higher. Furthermore, the trapezius muscle, which from the front appears to connect the shoulder with the neck, is highly individual; if it’s very muscular, or carries much fat, it can make the shoulder line look so high there’s no neck; inversely, an underdeveloped trapezius, often seen in very young women, gives the impression of a long neck.
This brief digression into non-skeletal details is to insure there is no confusion between the actual position of the shoulder line and its apparent placement in a fleshed-out body, some examples of which are shown below.
The Arm, Wrists and Hands.
Finally, the arms: The wrists are on mark 4, slightly below the hip joints which sit on it (you can test it out for yourself by standing up and pressing your wrists against your hips). The fingers end roughly at mid-thigh, which is mark 5. The elbows are a slightly complicated joint that we’ll examine in detail later, but for now it’s helpful to mark them as elongated ovals sitting on level 3.
Don't for take a look at the different pencil cases on the main page. :D There are types of pencil cases to look for and we have them. Its one of the cooler types you can have. Be cool and look at the art and craft pencil holder. Here is the page to get started on this types of pencil box.
Many of you have-I asked if there may be too many details of a drawing. There are very different points of view on this topic. Today, I will talk about my opinion about it.
Which is smaller?
Before deepening the discussion, let me speak of my conception of the "lesser" means grouping for me. It may be different for you. If so, let me know your definition in the comments section.
For me, the tertiary details that give shape constitute a design. The small nuances of the design, which transmit informative data are the ones that are more significant. Details, selon me, is what separates beginners from advanced artists.
The details are a very important part of making your art attractive to the viewer. If there is not enough, it will only look like a sloppy piece of work. This brings us to the next question: how much detail is too much.
How much is too much?
The definition of "too many details" in art is different for different people. What I feel is the breaking point is when there are too many nuances without proper organization. Then it becomes very complicated.
The incorporation of aussi details depends on the aesthetics of the artist in particular. For example, if you had to add too many unnecessary details to the bottom of a drawing, it would take focus away from the subject.
The breaking points in art for details
Many people think that the more detailed the art, the better the quality of ICT. Do not belive this at all. Correct informative details that convey your design message are significant. The rest is just too much.
When the focus of your audience shifts to something that is not the subject of your art, you know you've atteint the breaking points during too many details. This is my view point.
When the viewer withdraws, or there are too many small nuances, against the purpose.
The Curious Case of Rob Liefeld
Take the box of 90 comics creator Rob Liefeld. He has been severely-critised by many by adding too many details in his drawings. But I think his work is quite good.
Comic-fans have shattered _him_, calling their realistic drawings, and creating terrible standard for comic book creators. While it may be true that for a person very versed in anatomy, their details may SCCM realistically, I think they fit or convincing.
Hear I defend Rob Liefeld, in my video here. It is a complete complaint! Don't forget the types of pencil cases we offer .
tell me what you think of types of pencil box
So guys, you know what I feel for too many details in the art. I would like to know your opinion, in the comments section of my video.
Oh, and guys, if you are interested in art, or learn to draw, then do not forget to receive, share and subscribe to my channel. Remember to check out the art and craft pencil holder And also other different pencil cases .
Now I would like to talk to you about something That's a Gift to Me asking a lot about people. - Can anyone know to draw? - I had to face this issue many times, from friends and family, and even Subscribers to my YouTube channel.
Another question is, I'm often excited when any age is too old to learn art. We aim to talk about it later.
A Debate That Is Not Even Fun
Once When I Was Watching Family Feud, one of the answers to "You are a skill born with" drawing along. It made me think a lot. Some people really believe that drawing is a talent in which one is born.
I do not agree with this belief. In fact, I HAVE HERE Though somewhat heated discussion with friends about it. I welded firmly believe that anyone can learn the arts. There are certain steps that can help you get there.
Talent Vs Learning - types of pencil box
I've learned art quite late in my life. I Was about 17 or 18 years old When I was enrolled at the Arts Center. People always tell me that I am the Ability art, Because I Was in videogames and graphic novels.
But, I do not think this is true. If you look at professional artists' illustrations of childhood around you, you will see that they are not good either. In fact, when I saw the drawings I did, When I started to leave, it looked like I was drawing on my feet!
In fact, They are so bad, I actually threw it all out. Looking back, I wish I did not do it. Then I can show you the difference between my drawing since then and now.
A technical skill - different pencil cases
Anyway, getting back to the point. Drawing is like Any Other technical skills. You have to learn to Improve. It is amazing how people throw Their Ability to draw, thinking that they are not born with talent.
But, Ask Any professional artist, And They will tell you that there are some points in their lives, they have decided to learn to draw. Many artists, including Hollywood celebrities, have stated HAVING-have policies and guidelines on their limitations for study. That's not true!
I think HAVING rules can really help you grow as an artist. It gives you the guidance you need to develop your skills. I've never seen a child draw and I thought, "Wow, that's just like life!"
Developed over the years - types of pencil cases
Study to draw, is a skill that requires years of observation and understanding of rules of proportion and perspective. You can-have a better eye for details, goals anyone can learn to draw, with the right set of rules and guidelines.
What do you think? Listen to me talk more about this topic here. Tell me your thoughts on the subject, and what you think about my doodle in the comments section of the video. There is a surprise announcement for my followers! Check out art and craft pencil holder
One question that my followers often ask me, is how do I start each drawing. This seems to be a problem with many of the beginning artists I have met. They just do not know where to start.
This can be a real serious problem for professional artists. It is the biggest cause of creative blockages. So, I thought, I would share with you the techniques on how to start each drawing. Hope this helps them guys.
Unzip what you want to draw - types of pencil box
The method I follow is to discover the basic geometric shapes in the complex figures that I need to draw. This makes adding weight and proportions to my drawings much easier.
Therefore, what I am going to do, is first to draw the basic geometric form which is the closest to the object that I need to draw. Suppose I want to draw a tank. I'll start by drawing a ghost a big shoebox. Then add a cylinder.
Then continue to add the details, until you get the desired result. Yup, it's so simple. The rule is to figure out the basic shapes, and then build on it. Take a look at how I do it here.
Once you have divided your figure into its basic geometric shapes, it is time to think about the proportions of your image. I do this, defining the space with which I will work.
That way, I know if it's getting too heavy or heavy, and adjust the proportions accordingly. A good habit of drawing, is to define your workspace with more smooth and difficult lines.
I always use softer lines, since I need to delete them later.
Think about the treatment of spaces
Another way, how I start each drawing, is to think of the treatment of positive and negative space for that particular image.
It takes a while to become aware of the spaces inside and around an object. But with practice, you will see how easy it is. There are a ton of simple exercises you can do, to help you understand the treatment of space in an image.
Learn how to draw textures
Textures have a way to help you give your drawing a more realistic feel. How I begin to draw is to think about the texture of that particular object.
Practicing drawing textures has definitely been a great help on how to start any drawing. It is a great tool to render realism, any drawing.
How do you start each drawing? Maybe start with different pencil cases .
Here are some of the methods I use to start each drawing. What techniques do you use? Let me know in the comments section.
Guys, if you are interested in art, or would like to know more techniques to start each drawing, then please check out the art and craft pencil holder